Official Trailer: [SPOILERS AHEAD…] Sivanesan (Raj Kiran), father of Murugan (Dhanush) owns and runs an Idli eatery in a small village. Idlis and its accompaniments, sambar and chutney, are prepared in traditional way – using manual stone grinders – aattukal and ammikal. Villagers are fan of his cooking and big patrons. It is a landmark for the village. Murugan wants his father to switch to electric grinders. Father doesn’t want
Official Trailer: The opening stretch is one of the creative and energetic openings for a movie I have seen lately. Agan, the protagonist, enters the reception of his ex-girlfriend and wants to know the reason why she ditched him. In the heat of the moment when he tries to stop her, he inadvertently pulls the thaali from her neck. The ruckus that ensues uses is wonderfully shot using props one
I am a music listener. I don’t have much understanding of technicalities of music. For me, the composition has to connect, stir something inside, call it feeling, emotion or just pure joy. Poo Potta Dhavani Song from the movie Kakki Chattai – falls under club dance that was typical of 80s and 90s movies. Not sure whether this can be bucketed as item number in today’s parlance – since the
News of actor Rajesh’s sad demise took me down the memory lane. Reminiscing about his movies – Achamillai Achamillai, Kanni Paruvathile, Antha 7 natkal, Sathya, Veli, Mahanadhi – movies where I can recollect his character. One thing led to another, and I landed on Kanni Paruvathile. I don’t recollect the story much, but the songs are still fresh in my memory. It was a successful album when the movie came
Official Trailer: Tourist family reminded me of another movie Ayodhi. There are many similarities between the two. Sasikumar the easy one. Rameshwaram another. Basic movie making gets elevated by strong message of humanity without thrusting the message in your face. Be human, that is all there to make our life lively. Where they differ is Tourist Family lightens the mood with good dose of comedy. Full credit to Abishan Jeevinth’s
Focus of the series is to dig up not so often heard gems of IR compositions. Based on time I may start treasure hunt on other composers also (yes, this is a threat 😀). Disclaimer: I am a music listener. I don’t have much understanding of technicalities of music. For me, the composition has to connect, stir something inside, call it feeling or emotion or just pure joy. Nitham Nitham
Focus of the series is to dig up not so often heard gems of IR compositions. Based on time I may start treasure hunt on other composers also (yes, this is a threat 😀). Disclaimer: I am a music listener. I don’t have much understanding of technicalities of music. For me, the composition has to connect, stir something inside, call it feeling or emotion or just pure joy. Manitha Manitha
Not everyone gets to live their dream. Few lucky ones do. I hit upon a 1979 radio interview between Abdul Hameed (the man with lovely golden voice 😍) and Ilayaraja (IR). When Abdul Hameed posed the question IR’s future goals, he touches upon his desire to compose a Western Symphony. In 1979!! That is the trigger for my first line. With Valiant, he has lived up to his dream. To
After a bunch of eardrums bursting high decibel movies Meiyazhagan and Lubber Pandhu come as a cool gentle breeze after a cyclone. Both movies have few things in common. Strong writing, well developed character arcs, focus on relationships, nuanced moments. Both are driven by director’s vision. Feel so refreshed after watching these movies. There are few nitpicks, but they don’t come in the way of wholesome treat. Meiyazhagan: From the
Official Trailer: When I heard Vidamuyarchi is an official remake of Breakdown my hopes went up. Director Magizh Thirumeni’s earlier movie Thadam was a satisfying thriller. Thadam was a director’s movie. Breakdown is an efficient lean mean thriller. It was a well-made genre movie with interesting plot twists and thrilling action sequences. It kept you on the edge of the seat five minutes into the movie. When I saw Vidamuyarchi