Fast Cuts – Love Today, Irugapatru

Love Today: Girl, Nikitha, breaks the news to dad. Dad wants to meet the boy, Uthaman. Dad agrees to the marriage on one condition: Uthaman and Nikitha need to exchange their phones for a day. Do they really know each other? They have nothing to hide, right? This is an interesting premise. Full of potential and great material for the writer and director to explore. Unfortunately, idea that looks good

 

Fast Cuts – Kannur Squad, Ayothi

Two movies. One packages a good cinema while giving space to the heroisms. Second one fails to impress as a cinema but scores in tugging our hearts with its core message of humanity. Ayothi: Ignore the flaws this is a movie highly needed for the current India we live in 👏 Looking at the name I feared the movie is a Saami Padam, a movie about God. What a pleasant

 

Muthal Mariyathai – a movie that has aged well and engages us even after 3 decades

Yeraatha Malai song: Listening to Malaysia Vasudevan’s songs collection the other day brought back old memories. My wife and I started discussing his memorable numbers, range, and emotion. Discussion led to topic of movies where his voice elevated the movie and the first movie that came to our mind was Muthal Mariyathai. So, we decided to watch the movie over the weekend. I had watched the movie first time during

 

Jailer – feels like watching short videos, going from one mass (as it is referred to) scene to another with no plot, no connection

[SPOILERS AHEAD…] Official Trailer: How does it feel to watch continuously 15 10-minutes porn movies stitched together with the intent of getting a release every 10mts? Jailer feels like one, going from one mass scene to another every 15mts with no plot. No effort to make a connection between the scenes. There is no build-up to the action. The only connection is Rajni. I guess the assumption makers have made

 

Por Thozhil – A well-made investigative thriller genre movie

Official Trailer: In the hands of a good director, even a generic serial killer story can become an engaging thriller drama. Por Thozhil is one of those movies. With a clear vision, directors, Vignesh Raja and T.Senthil Paramasivam, narrate the story crisply, don’t digress with unnecessary scenes, and maintain a good momentum building to the tense climax. Movie opens with two cops on night patrol. The topic of conversation between

 

Maamannan – The solid first half build-up is let down by an ineffectual predictable second half

Official Trailer: In Pariyerum Perumal, Maari Selvaraj explored the struggles of an individual, a college going student, who faced discrimination from the oppressor castes. The writing was organic with interesting characters. The antagonist, the girl’s father, was one of the well-developed characters in Kollywood movies. We got a peek into his state of mind, the peer pressure he faces, the need to conform to the community, oscillating between the caste

 

Yathisai – A skillfully made historical fiction about 7th century Tamil Kings

Official Trailer: We know about Cheras, Cholas, and Pandyas from our history classes and books. Most to all of the time the kings are either glorified or vilified. We never had a peek into their lives or subjects other than learning about dates of historical events. How did they live? Their culture? What kind of Tamil they spoke? Why did they go to war? How did they convince their people

 

Viduthalai – Part I – A ring side view of police force

Official Trailer: Viduthalai Part I is about the conflict between the government which wants to take away and provide the forest land for mining to a corporate and the villagers who are against it. This conflict pits the police force against the Makkal Padai (People’s army). Makkal Padai has the support of the local population. A simple story of development Vs rights/conservation, good Vs evil. Where Viduthalai differs and gets

 

Fast Cuts – Vaathi and Don

Vaathi: Vaathi does engage the audience with few interesting arcs, smartly written and staged scenes. Schools which are supposed to provide education have become money making centers with the motto that one needs to pay to get good education. Vaathi smartly contrasts this with the movie hall (aptly named Lakshmi) which becomes a place for our protagonist to teach his students. Lakshmi and Saraswathi have swapped places. This arc is